Regular Movie Rules No Longer Apply To The Fast & Furious Franchise

By  at August 31, 2022  , , ,  No comments
Regular Movie Rules No Longer Apply To The Fast & Furious Franchise

Similar to the Mission: Impossible franchise, the Fast and the Furious franchise has been able to endure for nearly two decades now, and unlike most franchises, the entries have arguably gotten better. There are so far eight films in the main series, with two more on the way. But before that, fans are being treated to the first Fast and the Furious spinoff, the appropriately named Hobbs and Shaw, which sees Dwayne Johnson and Jason Stathams respective characters reuniting for another round of beating up bad guys. It looks just like the kind of action-packed buddy comedy youd want from these two, but more importantly, Hobbs and Shaw reaffirms, if not permanently settles the issue, that the Fast and the Furious universe is no longer operating in any semblance of reality. Were knee deep in fantastical territory with the potential to go even further.

While the Fast and the Furious movies, like every other action-themed franchise, have been set in a heightened reality, the franchise started off relatively tame compared to the most recent entries. Dominic Toretto, Brian OConnor and the other starring characters used their street racing skills for fun and to pull off heists, all while preaching the importance of family on the side. Cars were the focus and the adventures were exciting, but not terribly exaggerated.

But then a shift started to occur. For me, the biggest tell that the Fast and the Furious franchise was morphing into a more straightforward action franchise, albeit still revolving around cars, was in Fast Five when Dom and his team dragged a bank vault through downtown Rio de Janeiro. By Fast & Furious 6, the protagonists were working together to stop a deadly device from being sold to the highest bidder, and in Furious 7 and The Fate of the Furious, they essentially saved the world, all while driving their badass vehicles; sometimes not even on the ground!

These racers are now basically superheroes, but without the fancy costumes or special abilities. Well, except super strength and endurance. After all, Dominic Toretto was able to life a car all by himself in Furious 7, and in The Fate of the Furious, Luke Hobbs curled a concrete bench, easily shrugged off rubber bullets and pushed a torpedo as it slid across ice. This dude might as well just call himself Black Adam.

Which brings us to Hobbs and Shaw, where the eponymous characters will face off against Idris Elbas Brixton, a terrorist mastermind. Wed known for a while that Elba would be playing the spinoffs main antagonist, but the first trailer revealed that hes been genetically and cybernetically enhanced to be bulletproof and superhuman. Other Fast and the Furious villains have used special technology, but not to enhance their own bodies. Even if you ignore my comment about Dominic and Lukes physical feats, the franchise is seemingly using Brixton to say, Hey, superpowers are officially on the table!

I dont doubt that there are folks out there who wish that the Fast and the Furious franchise had stuck to its street racing roots, but the fact of the matter is that Universal pivoting to a more conventional action approach has paid off. Both Furious 7 and The Fate of the Furious have grossed over $1 billion worldwide, and the later entries have been met with more positive critical reception than its predecessors. Hobbs and Shaw is building on what the main movies have become and turned the craziness up a notch or two, which also includes driving underneath a semi-truck, knocking over cars with an armored flatbed and jumping out of a window to take down some goons running down the side of a building with cables. Whew, Im winded just thinking about all that.

Even if you prefer the racing aspect of the Fast and the Furious franchise, theres no denying that these movies tossing out the conventional rules that opens the door to more possibilities. If Universal had kept these movies strictly about racing and heists, the film series either would have ended a while back or the current entries probably wouldnt be as well received. This way, even though these adventures are no longer rooted in any kind of realism, these stakes have been raised so that theres no shortage of challenges the protagonists deal with or weird experiences they could go through.

If Brixton has been enhanced to be more powerful than a regular human being, why couldnt the same happen to to one of our heroes? Weve seen certain kinds of computer software put the world at risk in the most recent Fast and the Furious movies, so why not throw AI or even robots into the mix? I would say the skys the limit, but since its been repeatedly suggested that the Mission: Impossible series should head to space, why couldnt the Fast and the Furious series do the same?

Right now, there are only two main Fast and the Furious movies left to be released, but thanks to Hobbs and Shaw and the confirmed female-fronted spinoff, this could morph the franchise into a cinematic universe, thus allowing this world to continue after Fast & Furious 10 drops. Moviegoers overall are clearly accepting of this new direction the franchise has taken, and Hobbs and Shaw will be a good testing ground for the action can be successfully taken to an even more absurd level. Judging by how many times the first trailer has been viewed online, people are intrigued by what director and action movie veteran David Leitch is delivering.

I wont go so far as to say that the Fast and the Furious movies should become as outlandish as the MCU, DCEU or Monster-Verse, but this franchise has a good thing going for it right now by tossing out the heightened realism rulebook. If Universal plays its cards right and keeps trying new ways to up the ante action-wise, perhaps the Fast and the Furious lore could live on for another decade, if not longer.

Hobbs and Shaw races into theaters on August 2, so stay tuned to CinemaBlend for continuing coverage on that project and other updates concerning the entire Fast and the Furious franchise. In the meantime, check out our 2019 release schedule to learn what else is hitting the big screen later this year.





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Disney's Aladdin: 10 Differences Between The Remake And The Original

By  at August 31, 2022  , , ,  No comments
Disney's Aladdin: 10 Differences Between The Remake And The Original

Disneys Aladdin is a timeless, animated classic. Aladdins songs, cast, and characters, especially Robin Williams as the Genie, made it the highest grossing movie of 1992. So, it was no surprise when Disney announced plans to give one of their biggest animated hits the live action treatment.

It seems unnecessary to revamp what many regard as an untouchable lightning in a bottle moment in Disneys history. While the new Aladdin follows the story rather faithfully, it is not a mirror image of the original.

It gives us a new Aladdin cast, featuring Mena Massoud in the title role, Naomi Scott as Princess Jasmine and, most notably, Will Smith as a whole new Genie. Alan Menken updates his Oscar-winning soundtrack, including a complete original song. Furthermore, the most intriguing and somewhat refreshing amendment: the directing style of crime thriller auteur Guy Ritchie.

So, if you are wondering how Disney is keeping the live action Aladdin, now playing in theaters, separate from its original hit, here is a list of the biggest difference between the two. Keep in mind, there will be spoilers.

No Fourth Wall-Breaking Street Pedder To Introduce AladdinDisneys animated Aladdin opens with, essentially, an infomercial featuring a street peddler hoping to convince the audience to purchase a special lamp by revealing the story of its origin. This segues into the main story of the movie and the Peddler is never to be seen again.

The original intention was for the Peddler to be revealed as the Genie in disguise at the end of the film, as both are voiced by Robin Williams. That idea was scrapped last minute, but Guy Ritchie found a way to work a similar idea into his update.

In the Aladdin remake, it is a mariner who introduces the film as a story he is telling his children as they sail the seas. The Mariner is played by Will Smith, whom we already know is the Genie going in. There's no much room for a huge reveal, but it's a fun callback to some deep Aladdin trivia nonetheless.

Iago Is Far Less Of A ChatterboxIn one of Disneys most fitting casting choices, comedian GIlbert Gottfried, known for his squawk-like pitch, provided the voice of Jafars parrot sidekick, Iago, in Aladdin. When he is not hiding his ability to speak on his own, Iago never cowers at the opportunity to serve up blunt commentary and utilize his skills in spot-on voice imitation.

In Guy Ritchies Aladdin, Iago (voiced by Alan Tudyk) is just as loyal to Jafar and, sometimes, just as blunt, but not nearly as talkative. His speech is rarely anything more than a repeat of the last line of dialogue. Other than his willful subservience to Jafar, Iago is not much more than your common parrot.

This updated Iago provides Aladdin with a new air of authenticity, and we have had our fair share of Gilbert Gottfried already with the Alfac commercials.

Princess Jasmine Has A Larger Role This TimeVoice by Linda Larkin in Aladdin, Jasmine is one of the more unique Disney princesses as she is one of the few born into royalty, but longs for a life outside the palace. While she does eventually find happiness, it is only from Aladdins help, so it is hard to say she makes the cut beyond the damsel in distress kind. In Disneys live-action remake, that is no longer the case.

Naomi Scotts portrayal in Aladdin sees Princess Jasmine in a stronger, more pivotal role to the story. She is not defined by her romance with Aladdin, nor is her dissatisfaction with royalty out of mere boredom. She is a progressively minded person who longs to steer her country in the right direction and vies to be Agrabahs first female Sultan, a feat she eventually achieves - not Aladdin.

Jasmine even sings her own song, with themes of self-empowerment. Speaking of which...

Alan Menkens Aladdin Song Catalog Has Been UpdatedDisneys Aladdin won two Academy Awards in 1993 for Best Original Score and Best Original Song (A Whole New World). Needless to say, the music by Alan Menken is key to the animated movies iconography. However, Disney decided it would be best to leave those songs untouched and provide a whole new set of original songs for Guy Ritchies Aladdin... Just kidding.

Of course the new creative team brought all the original songs back, but with a few new twists. Will Smiths rendition of Arabian Nights amends the original songs controversial lyrics. The end credits feature new, additional versions of Friend Like Me, by Smith and DJ Khaled, and A Whole New World, this time a duet by Zayn Malik and Zavia Ward.

The most pivotal update is the addition of the song specially written for Princess Jasmine called Speechless, which Naomi Scott sings at two crucial moments of the film. The most intriguing update is Will Smiths approach to performing Genies magnum opus.

Will Smith Is A Rapping GenieA Whole New World may have won the Oscar, but the most fun of Alan Menkens Aladdin songs are those performed by Robin Williams as Genie. The all-powerful ones musical talents are as amusing as his magical skills with Friend Like Me and Prince Ali. In Guys Ritchies update of Aladdin, Prince Ali meets the Fresh Prince.

Will Smiths performance as Genie sees him showing off his musical roots, adding a hip-hop flair to his energetic rendition of Friend Like Me, complete with frenetic choreography and even some beatboxing.

You aint never seen or heard a Friend Like Me like this.

Jasmine Is Not The Only Female Character With Speaking PartsYou know who else never had a friend like Genie in Aladdin? Princess Jasmine. In fact, other than Jasmines tiger, Rajah, she does not have any friends at all. Say, did you ever notice that Jasmine is the only woman in the animated original with meaningful dialogue? In the Aladdin remake, neither of those are the case.

Former Saturday Night Live cast member Nasim Pedrad stars as Dalia, Jasmines handmaiden and friend, whom she discusses more than just magic carpet rides with. For most of the film, Dalia is Jasmines sole source of encouragement.

The character, one of the funniest in the new Aladdin cast, and she also has one of the most surprising additions to the story as she turns out to be a love interest for Will Smiths Genie, and the mother of his children, whom we meet in the films introduction. I bet she aint never had a boyfriend like him.

Jafar Lures Aladdin Into The Cave Of Wonders More ConspicuouslyIn Disneys Aladdin, Jafars hunger for power leads him in the direction of the Cave of Wonders, a sentient temple of great fortune and mysticism. In order to retrieve the magic lamp inside, he must enlist the one diamond in the rough whom the cave will allow, which happens to be Aladdin. So, Jafar captures Aladdin, poses as an old prisoner, breaks him out of custody and tricks him into retrieving the lamp for a promised reward.

In Disneys live-action Aladdin remake, Jafar does not bother with the disguise. He captures Aladdin and presents himself to him, dark red robes and all, with a proposal for riches that would attract the affection of a princess. Once he agrees, it pretty much goes exactly as the animated original does.

This was most likely the right direction to go with adapting Aladdins reasoning for entering the Cave of Wonders, given that Jafars old man disguise would not have made for much of a reveal given what we already know from the animated classic.

Aladdin And Abu Earn The Magic Carpets LoyaltyAladdin has a few trusted allies to count on for his adventures in the original animated film. Of course, there is the Genie and Abu, but the one I believe deserves more credit is the Magic Carpet.

If not for the Magic Carpet, Aladdin and Abu would have never found the magic lamp and Aladdin and Jasmines first date would not have been nearly as memorable. Yet, there is little explanation in the original Aladdin as to why Carpet is so loyal to our hero so quickly. Just a feeling?

In Guy Ritchies Aladdin, after Aladdin and Abu first enter the Cave of Wonders, they notice a carpet stuck between two large boulders. But this is no ordinary carpet. This carpet is moving on its own. They work together to lift the rock up just enough to free the Carpet, and a beautiful friendship is born.

Jafar Has No Intention Of Marrying Jasmine To Usurp The KingdomJafar is such a ruthless, uncompromising, unrelenting wannabe tyrant that he will stop at nothing to take control of the kingdom of Agrabah in the original Disneys Aladdin.

When his initial plan to get ahold of the magic lamp fails, he tries hypnotizing the Sultan into allowing him to marry Princess Jasmine, which Aladdin prevents by smashing his magic scepter and breaking the spell. Marwan Kenzaris Jafar still uses that snake-headed scepter to control the Sultan, but not for less aggressively creepy reasons.

In Guy Ritchies Aladdin, not only does Jafar want to be the Sultan, his wishes for power are beyond merely fame and fortune. He is a war monger, persistently forcing the idea of invading a country that the Sultan just wishes to remain at peace with.

As for his own plan for tyranny, marrying the princess is never brought up. It is as if he recognizes, and even respects, the possibility that Princess Jasmine could be the next sultan and his goal is just to beat her to the throne first. Also, thankfully, when Jafar finally gets a hold of the magic lamp and asks Genie to make him the most powerful sorcerer in the world, he does not keep Jasmine chained up as his personal love slave. You gotta hand it to 2019 Jafar. He may be ruthless and unrelenting, but he's far less of a creep than his animated counterpart.

Director Guy Ritchie Makes Aladdin A Guy Ritchie MovieYou may have noticed that I have been referring to Disneys live action remake of Aladdin as Guy Ritchies Aladdin a lot throughout this article. That is because this Aladdin is very much Guy Ritchies Aladdin.

The British filmmaker known best for cooky crime thrillers like Lock, Stock, and Two Smoking Barrels and Snatch may have seemed like an unlikely choice to direct a musical fantasy set in an Arabian city. But Ritchie makes his update of the animated film feel right in place with his the rest of his repertoire.

For one, the retrieval of the magic lamp easily puts Aladdin in the heist movie category, like Lock, Stock, and Two Smoking Barrels and Snatch. One of the first major song and dance sequences is a foot race through the city and there are slow motion sequences all throughout the film, both common Ritchie staples. Ritchie also has been known to cast musicians in many of his films (Will Smith). Aladdin has always been a tale loved by all ages, but in the hands of Guy Ritchie, it becomes a special treat for lovers of British crime thrillers as well.

Aladdin is now playing in theaters, and keep checking back with CinemaBlend for more news on Disney's upcoming live action remakes/adaptations.




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How Is the New Aladdin Different Than the Original


1 Comments Off on Disney's Aladdin: 10 Differences Between The Remake And The Original Guy Ritchie's live-action update of Disney's Aladdin follows the story of the animated hit rather faithfully, but how does it set itself apart from the original classic?
Disney's Aladdin: 10 Differences Between The Remake And The


Disney's Aladdin: 10 Differences Between The Remake And The Original @yournerdside #yournerdside Posted on May 24, 2019 May 24, 2019 by Aaron Disney's Aladdin is a timeless, animated classic.
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Home 2019 May 24 Disney's Aladdin: 10 Differences Between The Remake And The Original feel free to call us +646-389-3981 info@mmnofa.com admin , May 24, 2019 May 24, 2019 , Entertainment , 0
Disney's Aladdin: 10 Differences Between The Remake And The


So, if you are wondering how Disney is keeping the live action Aladdin, now playing in theaters, separate from its original hit, here is a list of the biggest difference between the two. Keep in mind, there will be spoilers.
Disney's Aladdin: 10 Differences Between The Remake And The


The 10 Biggest Differences Between Disney's Aladdin Reboot and the Original The last time we got to see everyone's favorite street rat attempting to steal trinkets in Agrabah, it was 1992.
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Home Entertainment The 10 Biggest Differences Between Disney's Aladdin Reboot and the Original Admin , May 23, 2019 May 23, 2019 , Entertainment , 0 The last time we got to see everyone's favorite street rat attempting to steal trinkets in Agrabah, it was 1992.
The 10 Biggest Differences Between Disney's Aladdin Reboot


Released in 1992, the original Aladdin remains one of Disney's most classic movies. So it should come as no surprise that Disney decided to remake the timeless story with a live-action twist.
Disney's Aladdin: 10 Differences Between The Remake And The


How Is the New Aladdin Different Than the Original? The 10 Biggest Differences Between Disney's Aladdin Reboot and the Original thanks to Hollywood's insatiable need to remake all the movies
Disney's Aladdin: 10 Differences Between The Remake And The


Disney's Aladdin is a timeless, animated classic. Aladdin's songs, cast, and characters, especially Robin Williams as the Genie, made it the highest grossing movie of 1992. So, it was no surprise when Disney announced plans to give one of their biggest animated hits the live action treatment.
The 10 Biggest Differences Between Disney's Aladdin Reboot

Disney's Aladdin: 10 Differences Between The Remake And The

How M. Night Shyamalan Feels About Glass' 200 Million Box Office Success

By  at August 30, 2022  , , ,  No comments
How M. Night Shyamalan Feels About Glass' 200 Million Box Office Success

It was a slow January at the box office, but the biggest film of 2019 so far is M. Night Shyamalans Glass. The trilogy-capper has enjoyed three straight weekends atop the box office and this past weekend, crossed over $200 million worldwide. To celebrate this milestone, M. Night Shyamalan took to social media to share his feelings about Glasss success. Take a look:

With the success of Glass, M. Night Shyamalan is clearly feeling both appreciative and reflective on the arc of his career. He notes that his first two films only had limited theatrical runs in a few theaters, which were cut even shorter when they failed to perform. Those two films were Praying with Anger and Wide Awake, and preceded the directors third film The Sixth Sense. That thriller proved the third time to be the charm, revealing him to the world and still standing today as his biggest success.

Coming from the failures of his first two films to having another film in his long career cross the $200 million worldwide threshold is affirming, and M. Night Shyamalan says in his tweet that it's "beyond a dream come true." The director went through struggles, and can now look back on how far he has come and the success his career has been. And that must make Glasss box office performance all the more enjoyable.

Regardless of your feelings about Glass, youve got to feel happy for the guy. And the success of the film is even more impressive and probably more rewarding for him because he produced Glass on his own dime. M. Night Shyamalans career resurgence has not been backed by studio money or with executives exerting their influence over his vision; hes done it on his own.

M. Night Shyamalan put up his own money, taking out a loan against his estate to make The Visit and then after that film succeeded, he put together money to make Split. With Glass he used $20 million of his own money to create the film he wanted to make. He bet on himself, and Glasss $200 million worldwide box office haul shows that bet paid off handsomely.

The success of Glass also is a testament to the resonance of his film with audiences. M. Night Shyamalan also thanked fans for embracing his vision and believes that Glass is proof that audiences are willing to accept and connect with new and dark voices, even if the system isnt geared towards promoting them.

And it is true that audiences connected with Glass, at least more so than critics. The films financial success is evidence of that and certainly makes you wonder if M. Night Shyamalan will return to this world in the future. He has seemingly ruled out a Glass sequel but he still has a long career ahead of him so who knows what could happen?

Glass is now playing. Check out our 2019 Release Schedule for all the biggest movies heading to theaters the rest of the year and stay tuned to CinemaBlend for all your movie news.







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